
Ice Cold
For an article in the Winter Edition of Omega Lifetime magazine on the cold resistance tests of Omega watches, we created a series of accompanying images featuring watches physically encased in blocks of ice.


For an article in the Winter Edition of Omega Lifetime magazine on the cold resistance tests of Omega watches, we created a series of accompanying images featuring watches physically encased in blocks of ice.


A fashion story produced for the Winter Edition of Omega Lifetime magazine, showcasing Omega’s latest women’s watches. The approach embraced storytelling in its truest sense, creating enchanting imagery with subtle references to the world of fairy tales.






Tokyo by Design epitomise the lifestyle and travel features we’ve crafted for Omega Lifetime magazine. The art direction is classic, yet charged with a dynamic travel guide vibe that reflects modern Tokyo’s aesthetic by blending diverse elements – text boxes, illustrations, product shots, and travel photography. The result avoids clichés about Japan while making subtle references through its minimalist aesthetic and use of small red text against a white background.


“The illustrations by Makers Co. are striking, icon-like depictions of Tokyo’s most iconic buildings. I challenged the artists to distill these monumental architectural masterpieces into their purest forms, using as few lines as possible. Their exceptional skill brought this vision to life with remarkable results.”




“A campaign that captivates through a combination of striking elements, with every detail in harmony: the deep azure-blue water, the vintage Riva boat with its teak accents, George Clooney’s classic striped shirt, the backdrop of the Italian landscape, and, of course, the Omega Seamaster itself. Together, they evoke a sense of enduring luxury and effortless style, capturing the essence of Seamaster watches. Looking back, it was the first campaign I ever created for Omega Watches – and a project that came to set the tone for many that followed.”


In addition to the main campaign, we produced a range of elegant images that perfectly reflected the Old Hollywood feel we aimed to achieve. These were used extensively for PR and featured in Omega’s magazine, Omega Lifetime.


Just before the 2008 Beijing Olympics, we created a photo shoot for Omega, the official timekeepers of the Games, featuring USA Swimming Team stars Natalie Coughlin, Katie Hoff, and Michael Phelps. The images, shot at a local pool in the Bronx, captured the pre-race meditations and determination of these elite athletes. All three swimmers returned from Beijing adorned with Olympic medals.

Some of the images were featured in an article for The Olympic Edition of Omega Lifetime magazine, accompanying an interview with the swimmers in which Phelps discussed his potential to win eight gold medals in Beijing – a prophecy fulfilled later that summer. The rest, as they say, is history.




In 2009, Omega reintroduced the legendary PloProf dive watch. We developed a series of PR images that highlighted both the original 1970 design and its modern iteration, alongside a curated selection of Omega’s most significant dive watch models throughout the years. The visuals evoke an almost otherworldly quality, emphasizing the iconic nature of these legendary timepieces.



“When I reached out to Marimekko in 2002, the Finnish brand had slipped off the radar of most fashion enthusiasts outside Finland, despite its iconic status in the 1960s. They were excited about the idea of a fashion editorial for Scandinavian Living, inspired by their timeless designs and featuring Finnish model Ninja, and generously provided original dresses from their archives, which we paired with contemporary brands that shared a similar love for bold graphic prints.”


The editorial opens with an article about Marimekko, featuring a spread that showcases their iconic Unikko poppy pattern from 1964, which we recreated from the fabric itself.





“One of the most significant typographic projects I have undertaken is the comprehensive redesign of Politiken Forlag’s entire dictionary series. This monumental endeavor spanned thousands of pages and required meticulous attention to every minute detail. Each cover was reimagined, and every page thoughtfully refined to enhance both aesthetic appeal and readability.”

“I employed the typeface Le Monde extensively throughout the series in different variations. Originally designed by type designer Jean François Porchez in 1994 for the French newspaper, it brought a sophisticated yet approachable feel to the dictionaries. Jean François enthusiastically supported the project, and the collaboration led to the expansion of the typeface with additional characters and glyphs necessary for my work, which are now part of the Le Monde font family.”

“The attention to detail extended to a variety of volumes, including specialized dictionaries and the Håndbog i Nudansk (‘Handbook of Modern Danish’). For this volume, I created a cover design that prominently features the three distinct Danish letters – æ, ø, and å – as a tribute to the linguistic heritage they represent.”




“I take great pride in having contributed to one of Denmark’s most significant printed publications. The process of revitalizing such an iconic work was both rewarding and complex. With printed dictionaries rapidly being replaced by digital formats, opportunities of this nature are becoming increasingly rare.”

A playful yet insightful guide, 50 Things Everyone Should Learn How to Master, was created as an insert for The Master Edition of Omega’s Lifetime magazine, named after the Master Chronometer certification for watch movements, which had just been newly issued by METAS at the time of publication.





The insert, subtitled A Highly Subjective but Entirely Indispensable Guide to Being a More Useful Human, was printed in three spot colours plus black ink on uncoated paper, creating a vintage aesthetic.

This editorial for Omega Lifetime focused on the watch brand’s in-house developed coloured ceramic material used on their dive watch bezels. While water naturally complements dive watches, our primary goal was to create striking images within a monochromatic, minimalist setting almost like a Japanese sumi-e, capturing the tactility of the watch bezels.



“For the second edition of Scandinavian Living, my concept for this fashion editorial was to celebrate Astrid Lindgren’s beloved Swedish children’s book character, Pippi Longstocking, by inviting three Danish fashion brands to design contemporary pieces specifically for the shoot, using the eclectic Pippi Longstocking as their muse.”




“I tracked down the original colorful house, Villa Villekulla, from the 1960s Swedish Pippi Longstocking TV series, located on the picturesque island of Gotland. Swedish model Anna-Karin, with her red hair, whimsical spirit, and horseback riding skills, perfectly embodied a modern, grown-up Pippi.”

After three years and six issues of Copenhagen Living, Scandinavian Living was launched – a magazine dedicated to exploring the entire Nordic region. The aim was to treat each country with the same depth and respect that had been afforded to Denmark. While subtle design changes were introduced, the creative direction, style, and ethos remained firmly rooted in the identity of Copenhagen Living.




Although we often had to search extensively for new trends in the Nordic countries, we discovered budding movements from a new generation of designers, chefs, and architects who, like us, sought to cultivate national uniqueness in innovative ways – perhaps even more so in the Nordic countries outside Denmark. At other times, we had to nurture trends ourselves, as in the editorial above about a new Nordic cuisine.

















For the launch of a new line of water-resistant Omega watches, we developed a PR campaign featuring swimming legend Michael Phelps. The shoot took place in his hometown of Baltimore, where we built an indoor swimming pool in a studio, using a lighting setup inspired by a diver watch shoot we had done two years earlier – this time on a much grander scale.




One of the standout images from the shoot graced the cover of The Water Edition of Omega Lifetime magazine. This issue was also transformed into an interactive digital edition for iPad, extending the campaign’s reach and engagement across multiple platforms.

“I created this editorial for Copenhagen Living magazine, spotlighting the city’s rising stars. Each portrait was shot at a different location that reflected the creative spirit of the talent. One memorable moment was photographing 19-year-old music producer Thomas Troelsen in his studio, fueled by the infectious energy of Junior Senior’s Move Your Feet, which was on repeat – a future dancefloor anthem he had been working on just the night before.”




Actor Naomie Harris exudes an extraordinary presence in front of the camera, radiating both dynamic energy and subtle gentleness. Inspired by iconic black-and-white celebrity portraits of the early 1980s, photographer Mark Abrahams captured Naomie’s essence with remarkable precision.




The resulting photos, alongside an in-depth article on Harris’ work and her role as Ms. Moneypenny in the James Bond franchise, aligned perfectly with our vision for Omega Lifetime. This editorial was produced in conjunction with her role in Spectre for The Spectre Edition of the magazine and Omega’s social media platforms.

Since the creation of the first issue of Omega’s brand magazine, Omega Lifetime, in 2007, each edition has explored a single, unique theme. In 2022, we took the concept further with our inaugural special edition: The Museum Edition. Designed not only as a brand publication, similar to previous issues of Omega Lifetime, this edition also doubled as a catalogue for the extraordinary Omega Museum in Bienne, Switzerland.

The Museum Edition serves as a tangible keepsake for museum visitors, providing a deep dive into the captivating stories behind key pieces from Omega’s remarkable horological collection. Enriched by stories from Omega’s 175-year history, it features narratives about notable individuals and their Omega timepieces, as well as comprehensive insights into the art of mechanical watchmaking.



Each watch featured in the magazine comes from the museum’s collection and was specially photographed for this issue. The magazine’s historical articles were further enhanced by collages created by Anders Peter Mejer, capturing the essence of Omega’s storied legacy by integrating archival material, historical clippings, and original artwork.













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“Collaborating on an advertising campaign with Swedish silversmith Vivianna Torun Bülow-Hübe for her Georg Jensen cutlery line, ‘Vivianna,’ felt like connecting with a kindred spirit. Unfortunately, we were unable to pursue further collaborations, but my admiration for her craftsmanship inspired me to showcase and honor her work in the second issue of Scandinavian Living.”


“My approach was to mirror the elegance of Vivianna’s work through minimalism. I carefully selected each piece of jewelry from the Malmö Museum of Art and Design’s exhibition, transporting the chosen items from the museum’s displays to their rooftop. There, with a minimal setup of a makeup artist, a photographer, and a model bathed in the natural light of the Swedish sun against a simple white paper backdrop, we captured the timeless beauty of Vivianna’s designs.”

“As the Creative Director of the magazine Copenhagen Living, my mission went beyond merely crafting a magazine about Copenhagen and Denmark; I strived to establish a visual language that was distinctly Nordic in every aspect. This series, captured in Denmark’s most stunning church, embodies that desire.”

This cover epitomized Copenhagen Living in its most quintessential form. Featuring an image from the fashion shoot, it didn’t focus on the church’s grand architecture but instead highlighted the beautiful church chairs – designed by the architect’s son, the renowned furniture designer Kaare Klint.




“My longstanding collaboration with Omega Watches has created numerous opportunities to work with EON Productions and James Bond, who has worn an Omega watch since Goldeneye in 1995. For the film launch of Spectre, we created this travel guide for Omega, highlighting five of the locations featured in the movie.”







The guide was integrated as an insert within The Spectre Edition of Omega Lifetime. It was bound so that the back cover is the first element encountered while browsing the magazine. To accommodate this layout, Tatsuro Kiuchi’s wrap-around illustration was crafted to serve as both the front and back cover of the insert.


How do you build an ad around a single material, especially when it’s just a subtle detail on a complex mechanical watch? That was the challenge Omega presented to us when they launched their first Liquidmetal® bezel. Inspired by the material’s name, we crafted a visual where the watch was photographed with what resembled small drops of ‘liquid’ metal.

Following the Liquidmetal® campaign, we developed a series of ads introducing other new materials, all with a consistent aesthetic. Like this one, showcasing Omega’s proprietary red gold – Omega Sedna®.

“In 2015, I was approached to create a new campaign for the Swiss watch brand Omega’s relaunched Ladymatic watches, featuring long-time ambassador Nicole Kidman. My aim was to develop a campaign that contrasted the watch’s glamorous design with a more casual, down-to-earth portrayal of Kidman.”

While most women’s luxury watch campaigns were traditionally characterised by extravagant gowns and high fashion, we aimed to break from this norm by presenting Kidman in a more natural, understated style – creating a subtle contrast with the Ladymatic’s refined elegance. Additionally, we sought to highlight Kidman’s behind-the-camera persona, adding a unique and authentic dimension to the campaign.

“The clean, classic look of the studio setting was an ideal match for French fashion photographer Patrick Demarchelier, whose aesthetic perfectly complemented my vision. The resulting images embodied a timeless elegance, presenting the Ladymatic’s refined beauty in a fresh, accessible way.”
A behind-the-scenes video for social media and a TV commercial incorporating footage from the shoot, further amplified the campaign’s reach and impact. The combination of casual elegance and high fashion successfully positioned the Ladymatic series, celebrating both the watch’s sophistication and Nicole Kidman’s multifaceted persona.

For the premiere of No Time to Die, we were involved in several creative initiatives with Omega, who had designed a watch specifically for the film. One of these initiatives was an editorial where we brought on cocktails and spirits expert Tom Sandham to write an article about James Bond author Ian Fleming’s favorite bars in London and the drinks his bon viveur spy would order.

“Together with photographer Pol Baril, I followed this spirited route, capturing images of the legendary bars, drinks, and the Omega watches Bond has worn over the years, with a different watch featured at each location. The result was published in Omega’s magazine Omega Lifetime and shared across their social media platforms.”



In 2015, we worked with George Clooney on his first Omega campaign dedicated exclusively to the Speedmaster Moonwatch. The campaign drew on Clooney’s personal connection to the Speedmaster – a relationship that began in his childhood, shaped by his vivid memories of the first moon landing.


The classic portraits of Clooney wearing his Omega Speedmaster were integrated into a comprehensive 360° campaign and this editorial design for Omega Lifetime magazine, complementing the broader Moonwatch campaign.

Inspired by the way sunlight reflects off the Moon, we created a group shot of Omega’s first ceramic Speedmaster Moonwatches for Omega Lifetime magazine, positioning the latest model, the ‘White Side of the Moon,’ at the forefront. Additionally, we captured monochromatic portraits of each watch against backgrounds that matched their respective colours – black, gray, and white.




The campaign for high-street fashion brand Blues Original was shot in a mid-century modern house on the outskirts of Stockholm, creating a cinematic ambiance that infused the project with character. At its center was a large, square-format catalogue featuring faux leather binding and thick glossy pages that boosted the collection’s visual impact.

The catalogue’s endpapers featured a close-up of the see-through curtains from the location, printed on structured, uncoated paper to achieve an organic, almost three-dimensional effect. Opening the catalogue evoked the sensation of stepping into the vintage house itself.






This early project exemplifies our commitment to thoughtful design that not only showcases fashion but also evokes a specific atmosphere and narrative, deepening the connection between the brand and its audience.

“After creating the comprehensive visual rebranding for the fashion brand Tusnelda Bloch, I also led the art direction and graphic design for the brand’s first 360° campaigns following the rebrand, spanning catalogues, billboards, and advertisements.”



The campaigns focused on minimalist and classic visuals, incorporating a modern Scandinavian spirit with subtle references to contemporary art, reflecting the brand’s sophisticated, authentic approach to women’s clothing.

To mark the launch of Omega’s Master Co-Axial movement, we dedicated an entire issue of Omega Lifetime to the theme of mastery, calling it The Master Edition. The edition featured interviews with notable figures, including Chicago’s master chef Grant Achatz, Masters champion Sergio Garcia, and chess grandmaster Magnus Carlsen.


“Although time is crucial in speed chess, I aimed to capture the mental aspect of the game through these images. This was achieved in the close-cropped portraits, where Magnus’s intense focus captivates, reflecting the chess master’s mind at work. Chess enthusiasts particularly appreciated the attention to detail, especially the depiction of a famous Carlsen game featured in the article.”

The NATO strap design originated from World War II but has since evolved into a fashion phenomenon far beyond its military origins. In 2014, we explored this iconic design in an editorial for Omega’s magazine. Collaborating with photographer Fabrice Bouquet, we crafted a series of playful images that celebrated the strap’s versatility and timeless style.



“When Omega approached me to develop a PR campaign for the launch of the De Ville Trésor women’s watch, I built one of the visual concepts around Philippe Lacombe’s striking photographs of futuristic graphic shapes created with mirrors. ”

Capturing various angles of the watch reflected within the same frame added a compelling layer of visual intrigue and amplifying the impact of the imagery.


Inspired by actress Zhang Ziyi’s groundbreaking roles in modern Asian martial arts films, we crafted this campaign for one of the most popular watches in Asia, the Omega Constellation. Embodying the essence of autumn, the season’s warm colours beautifully complemented the gold tones of the watches.

Each colourful set built in a studio in Paris gave us a plethora of stunning images for PR and social media usage. Since everything was shot in a single take, the stunning sets also provided an ideal backdrop for captivating behind-the-scenes video content.

When we created this editorial for Omega’s brand magazine, Omega Lifetime, the bold artistic approach was embraced and met with nothing but a positive response. Beyond its aesthetic appeal, the watches stood out strikingly against the black-and-white skin tones, enhancing their visual impact and elegance, just as intended.



The inaugural campaign with Liu Shishi for Omega Watches marked the beginning of an exciting collaboration. A celebrated Chinese actress, renowned for her graceful presence and timeless style, Shishi perfectly embodies the essence of the Constellation watch. This synergy was the inspiration for a campaign that highlights her elegance alongside the watch’s beguiling but understated luxury.


“At the turn of the millennium, I crafted the visual communication for the Danish fashion brand Munthe plus Simonsen, encompassing invitations to fashion shows, lookbooks, catalogs, and advertisements.”

For the F/W 2000 collection’s fashion show invitations, we drew inspiration from one of the fabrics used in that year’s collection. The design was printed on soft, uncoated paper with a textured finish, evoking a tangible sense of the material.


The advertisement for the S/S 2000 collection, along with the accompanying fashion show invitation, reflects a cohesive visual language that establishes a mood for the collection without showcasing the clothing. This minimalistic approach was also applied to the catalogue, showcasing the collection’s essence while allowing the designs to speak for themselves.

For the launch of a new series of Omega Constellation women’s watches, we developed a floral-themed 360° campaign for the Chinese market, seamlessly combining product visuals with a high-profile celebrity endorsement.

The visual narrative highlighted the precision craftsmanship of the timepieces alongside the elegance of nature. Soft floral tones complemented the watch designs and the tones of their materials, creating a refined and cohesive aesthetic.

Executed during the early weeks of the COVID-19 lockdown, the visuals featuring renowned Chinese actress Liu Shishi were photographed in Shanghai and art directed virtually from our office in Copenhagen. The large-scale floral billboards across China became an almost poetic symbol of resilience and beauty during the global lockdown.



Additionally, we developed a worldwide social media campaign and a series of alternative PR shots, all unified by the overarching floral theme.

Cindy Crawford brought unparalleled depth to this campaign, further solidifying her partnership with Omega, which began with her first campaign in 1995. Every detail of the campaign’s aesthetic – from styling to production – perfectly captured the sensual elegance and refined luxury of the 2010 Omega Women’s watch collection.

The campaign visuals were presented in a large-format catalogue, designed as a folded broadsheet on thin, glossy paper, reminiscent of luxury newspaper supplements. These images also served as key PR assets, supported by a behind-the-scenes video that offered insight into the campaign’s creation and was shared across social media.






“It’s been a privilege to work with the legendary Cindy Crawford on multiple projects, and each collaboration reaffirms how effortlessly stunning imagery can be created with her. This campaign, crafted together with photographer Bruno Dayan, remains one of my personal favorites.”

The first 360° launch campaign for Omega’s Trésor watch collection was introduced alongside Kaia Gerber’s debut as an Omega ambassador in 2017. Kaia, now one of the most sought-after models of her generation, brought a fresh, modern elegance to the Trésor collection. Her fresh, contemporary presence complemented Omega’s rich legacy, positioning the brand at the perfect intersection of tradition and innovation.

“Inspired by photographer Peter Lindbergh’s style, I wanted the campaign to embrace his mastery of natural light and black-and-white imagery. We managed to create a series of iconic portraits that day on Malibu beach, evoking a sense of cinematic beauty and intimacy, while reflecting Omega’s blend of heritage and modernity.”

The Trésor campaign was a key sub-campaign within a major campaign, unfolding across four campaigns, each featuring different constellations of Kaia Gerber’s family, including her mother, Cindy Crawford, who has been an Omega ambassador since 1995.

Abstract stardust in a galaxy far, far away. We merged product and concept into a captivating visual narrative by creating a fanciful artificial cosmos, with powdered dust evoking the sensation of the watch being touched by cosmic particles, perfectly aligning with the name… Omega Constellation.



“The first Bond advertising campaign I created for Omega watches was for the film Skyfall, captured in Istanbul, where the opening sequence was filmed. The concept aimed to embody the iconic essence of Bond, blending classic 007 references with Daniel Craig’s modern portrayal of the agent.”


The resulting image has become one of the most recognizable and enduring visuals of Daniel Craig as James Bond. Prominently featured in campaigns across Asia, it also served as a key piece of PR material for both EON Productions and Omega. This fusion of classic Bond imagery and modern elegance establishes it as a key representation of James Bond’s association with Omega Watches.

The first 360° launch campaign for Omega’s Trésor watch collection was introduced alongside Kaia Gerber’s debut as an Omega ambassador in 2017. Kaia, now one of the most sought-after models of her generation, brought a fresh, modern elegance to the Trésor collection. Her fresh, contemporary presence complemented Omega’s rich legacy, positioning the brand at the perfect intersection of tradition and innovation.

“Inspired by photographer Peter Lindbergh’s style, I wanted the campaign to embrace his mastery of natural light and black-and-white imagery. We managed to create a series of iconic portraits that day on Malibu beach, evoking a sense of cinematic beauty and intimacy, while reflecting Omega’s blend of heritage and modernity.”

The Trésor campaign was the centerpiece of four campaigns, including three sub-campaigns featuring Kaia with her family, including her mother, Cindy Crawford, who has been an Omega ambassador since 1995.

Since the creation of the first issue of Omega’s brand magazine, Omega Lifetime, in 2007, each edition has explored a single, unique theme. In 2022, we took the concept further with our inaugural special edition: The Museum Edition. Designed not only as a brand publication, similar to previous issues of Omega Lifetime, this edition also doubled as a catalogue for the extraordinary Omega Museum in Bienne, Switzerland.

The Museum Edition serves as a tangible keepsake for museum visitors, providing a deep dive into the captivating stories behind key pieces from Omega’s remarkable horological collection. Enriched by stories from Omega’s 175-year history, it features narratives about notable individuals and their Omega timepieces, as well as comprehensive insights into the art of mechanical watchmaking.



Each watch featured in the magazine comes from the museum’s collection and was specially photographed for this issue. The magazine’s historical articles were further enhanced by collages created by Anders Peter Mejer, capturing the essence of Omega’s storied legacy by integrating archival material, historical clippings, and original artwork.













The commemorative London 2012 Olympic Games Seamaster subtly updated the original Omega Seamaster from 1948, a study in elegance and understatement. For Omega Lifetime magazine, we crafted a visual narrative by pairing the new watch with its predecessor. The new model was photographed in a minimalist style, mirrored by the original watch in the subsequent spread, highlighting their timeless design and evolution.


For the launch of a new series of Omega Constellation women’s watches, we developed a floral-themed 360° campaign for the Chinese market, seamlessly combining product visuals with a high-profile celebrity endorsement.

The visual narrative highlighted the precision craftsmanship of the timepieces alongside the elegance of nature. Soft floral tones complemented the watch designs and the tones of their materials, creating a refined and cohesive aesthetic.

Executed during the early weeks of the COVID-19 lockdown, the visuals featuring renowned Chinese actress Liu Shishi were photographed in Shanghai and art directed virtually from our office in Copenhagen. The large-scale floral billboards across China became an almost poetic symbol of resilience and beauty during the global lockdown.

Spring/Summer 2001 campaign for the Danish label Munthe plus Simonsen, created in collaboration with photographer Bryan Adams. Together, we crafted a poetic campaign inspired by the beauty of nature, a theme that resonated throughout the collection.

Cover design for a bespoke limited-edition concertina booklet, created to capture the essence of the Spring/Summer 2001 campaign.








On set with George Clooney, creativity often thrives in the unexpected. The original concept was a PR campaign built around classic portraits of Clooney with vintage film equipment. But when his dog, Einstein, unexpectedly leapt onto the table, everything shifted. What followed was a series of spontaneous, playful moments that brought fresh energy to the shoot.


After the shoot, we tested the images in ad layouts – with the client’s enthusiastic approval – adding a playful twist by including Einstein’s name alongside Clooney’s in the campaign concept. The response was overwhelmingly positive, and Omega fully embraced the charm of the unplanned, ultimately turning those spontaneous moments into a final advertising campaign.

When Omega introduced their Master Co-Axial family of watches, we dedicated an entire Master Edition of Omega Lifetime to this prestigious line. A standout editorial, Masterpieces, saw us pairing the new watch pieces with antique, ornate gold frames, presenting them as exquisite works of art that celebrated exceptional craftsmanship and innovation.




“Collaborating on a Georg Jensen campaign with the great Swedish silversmith Vivianna Torun Bülow-Hübe felt like connecting with a kindred spirit. Though we were unable to pursue further collaborations, my admiration for her craftsmanship inspired me to showcase and honour her work in the second issue of Scandinavian Living.”


“My approach was to mirror the elegance of Vivianna’s work through minimalism. I carefully selected each piece of jewelry from the Malmö Museum of Art and Design’s exhibition, transporting the chosen items from the museum’s displays to their rooftop. There, with a minimal setup of a makeup artist, a photographer, and a model bathed in the natural light of the Swedish sun against a simple white paper backdrop, we captured the timeless beauty of Vivianna’s designs.”

In 1936, Omega introduced the world’s first dive watch, the Marine. For an article in Omega’s brand magazine, we brought these vintage timepieces to the Danish Maritime Museum’s map collection, located in the cellars of Kronborg Castle in Helsingør – the historic setting of Shakespeare’s Hamlet – and created these images of the watches displayed on original antique nautical charts.


Actor Naomie Harris exudes an extraordinary presence in front of the camera, radiating both dynamic energy and subtle gentleness. Inspired by iconic black-and-white celebrity portraits of the early 1980s, photographer Mark Abrahams captured Naomie’s essence with remarkable precision.




The resulting photos, alongside an in-depth article on Harris’ work and her role as Ms. Moneypenny in the James Bond franchise, aligned perfectly with our vision for Omega Lifetime. This editorial was produced in conjunction with her role in Spectre for The Spectre Edition of the magazine and Omega’s social media platforms.

“My fascination with Anton Rosen, Denmark’s only true Art Nouveau architect, has always run deep. So it felt only fitting to stage a fashion shoot in one of his masterpieces, the iconic Palace Hotel, alongside an article I wrote exploring his architectural legacy for an early issue of Copenhagen Living.”



“Much to my dismay, I discovered that very little of the original interior remained. Still, by incorporating a few of the surviving distinctive details into the shoot – and blending them with echoes of Copenhagen’s decadent turn-of-the-century atmosphere – we managed to capture a subtle reflection of Anton Rosen’s spirit.”